IS IT READY TO SUBMIT?

Terry Burns, agent Hartline Literary Agency

 

One large hurdle to publication is submitting a good, professional-looking proposal or manuscript to an agent or editor. The object here is not to stand out but to look like an established pro. A submission that appears the submitter does not know what he or she is doing, or that looks like it will take too much work to get ready may receive little or no attention. These rules cover the primary items for the formatting of the manuscript, but the submission guidelines posted by the editor or agent you are submitting to should be the guide. While it is true a manuscript might not be rejected for breaking only one of these rules (unless it's a glaring one), a combination is sure to catch attention. We have to prepare a manuscript in some manner anyway, we might as well prepare it right.

 

Some of the key provisions are:

 

CHECKLIST FOR FORMATTING A MANUSCRIPT

 

 

 

CHECKLIST AS TO WHETHER THE WRITING ITSELF IS READY TO SUBMIT:-----------------------------------------

                        This was a checklist for judges in a writing contest several years ago and author Deborah Raney found it so helpful that she adapted it for self-editing her own novels...

 

1. OPENING – Is there a hook to capture the short-attention-spanned reader’s interest? Does the book start in the right place, or is there too much backstory?

2. CHARACTERS – Are the hero and heroine vivid, likeable characters? Do characters have that “something special” that makes them come alive? Are they described well? Do they change and grow from beginning to end?

3. PACING – Does the pacing flow throughout the book? Does the reader want to keep turning pages?

4. DIALOGUE – Does the dialogue sound natural and realistic? Does the dialogue build characterization and move the story forward?

5. SECONDARY CHARACTERS – Are the secondary characters believable? Do they provide a valid addition to the story?

6. SETTING – Is a time and place established? Is the setting easy to picture without taking over the story?

7. POINT OF VIEW – Is the POV for each scene wisely chosen? Are the POV transitions smooth and important? Does the writer avoid head hopping?

8. STYLE – Is the author’s style unique and appealing? Does she have a voice all her own?

9. CLICHÉS – Does the writer avoid clichés in plot, characterization, dialogue and narrative? (This doesn’t mean tried and true plot devices can’t be used. But they need to be done in a fresh way that makes you want to read on.)

10. Would you recommend this book to a friend?

 



Some basic word count guidelines:-------------------------------------------------------------

 

Chapter book (6-8 yr) 5-25,000 words

 

Middle Reader (8-12) 25-40,000 words

 

Young Adult (12-18) 40-75,000 words

(middle reader and YA kids like to read about characters a couple of years older than they are)

 

Novelette – 7,500–20,000 words

 

Novella  20-30,000 words  80-120 pages

Short Contemporary   50,000-60,000 words   200-240 pages

Long Contemporary   70,000-80,000 words   280-320 pages

Short Historical /Mainstream   90-100,000 words   360-400 pages

 

Romance novel     90-100,000 words 360-400 pages

Long Historical/ Mainstream   108,000-120,000   432-480 pages

 

* These are ballpark figures and the submission guidelines for a particular publisher should be the final word on the matter.

 

On first time authors publishers tend to want between 80-100,000 words. A person submitting above what they are looking for, should consider that each 10,000 words over the guideline is a 10% increase in print costs, and publishers are not into paying more money on unproven writers.